tag:blogger.com,1999:blog-53314170610851057562024-03-13T10:50:29.863-07:00TRANSLATION TECHNIQUES GROUP 7Diego.p86http://www.blogger.com/profile/01604985069301694703noreply@blogger.comBlogger7125tag:blogger.com,1999:blog-5331417061085105756.post-36864984821558254082016-07-06T11:59:00.001-07:002016-07-06T11:59:14.343-07:00<h1 align="center" style="background: white; line-height: 150%; text-align: center;">
<span style="font-family: Arial, sans-serif; line-height: 150%;"><span style="font-size: x-large;">T</span></span><span style="font-family: Arial, sans-serif; line-height: 150%;"><span style="font-size: x-large;">HE
LAGO DI GARD<o:p></o:p></span></span></h1>
<div>
<span style="font-family: Arial, sans-serif; line-height: 150%;"><span style="font-size: x-large;"><br /></span></span></div>
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<span style="font-family: Arial, sans-serif; font-size: x-large; line-height: 150%;">SCENIC
ROUTE BETWEEN VILLAGES</span><span style="font-family: Arial, sans-serif; font-size: x-large; line-height: 150%;"> </span><span style="font-family: Arial, sans-serif; font-size: x-large; line-height: 150%;">AND
STATELY VILLAS SPAS</span></h1>
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<span style="font-family: Arial, sans-serif; line-height: 150%;"><span style="font-size: small;"> By: Lisbeth Fernanda Cardona Paz</span></span></h1>
<h1 style="background: white; line-height: 150%; text-align: justify;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHS92Sg1MpLvY_6uIZrDoIVRdzR9YwRMmKxU0h7WJfcz9Yl_04S-74fIeP_cIyVXfbSMumVhADDG-C-rLWy2rY26P7fH-51Cwv-T34u50VI7ohd1koTM2km-cWfj_sTKDrAWw5QXAd7Rs/s1600/LAGO.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="237" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHS92Sg1MpLvY_6uIZrDoIVRdzR9YwRMmKxU0h7WJfcz9Yl_04S-74fIeP_cIyVXfbSMumVhADDG-C-rLWy2rY26P7fH-51Cwv-T34u50VI7ohd1koTM2km-cWfj_sTKDrAWw5QXAd7Rs/s400/LAGO.jpg" width="400" /></a><span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;">In northern Italy, right where
the plains gazing upwards towards the Alps, the Lake District, which coexist
natural scenery, historical heritage and artistic wealth spreads. Close to
cities must as Milan, Verona and Trento, the mirror of water that is Lake Garda
takes over the space and deceives the traveler into believing that it is a calm
sea on the south shore, while in the north more reminiscent of a Norwegian
fjord. In addition, a mild microclimate turns around the largest lake in Italy
(370 km2) in a southern huertojardín where they grow crops like grapes, lemon,
palm and laurel. Hence, from Roman times to the nineteenth century, the
aristocracy has risen villas on the edge of the lagoon Lombard, whose banks
also belong to the regions of Trentino and Veneto.<o:p></o:p></span></h1>
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<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;">The seaside town of Sirmione,
located at the southern end of the lake, is the starting point of this journey
through the 150 kilometers of the Gardesana, winding road that skirts the lake
and gives stunning views; another option, although slower, is to travel on
ships that unite many peoples.<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; text-align: justify;">
<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;">Sirmione sits on a peninsula that
ends at the castle of Rocca Scaligera (XIII century), surrounded by walls. The
beaches are another attraction of the place, as well as the Caves of Catullus,
where the remains of a Roman villa in which it is believed that the poet lived
in the first century B.C. are which gives its name; rooms, baths and patios are
preserved, and the privileged position over the lake.<o:p></o:p></span></h1>
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<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;"> </span><span style="font-family: Arial, sans-serif; font-size: 12pt; font-weight: normal; line-height: 150%;">Since there are only eleven
kilometers Sirmione to Desenzano, the capital of the lake and also its largest
city. There is advisable to walk the streets of the historic center and visit
the church of Santa Maria Maddalena (XVI century), where you can admire the
Last Supper by Tiepolo.</span></h1>
<h1 style="background: white; line-height: 150%; text-align: justify;">
<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;">The route continues to climb up
the west bank, along stately villas, farmhouses and hills with vineyards. On
the way attractive stages as Salò, a town linked to the memory of Benito
Mussolini emerge, even today shines thanks to its Renaissance palaces. A few
kilometers you reach Gardone Riviera, where the aristocracy of the nineteenth century
art deco villas built Il Vittoriale degli Italiani and today a museum, or
occupying the André Heller Foundation, which shows a beautiful botanical
garden.<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; text-align: justify;">
<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;">It has now reached one of the
most forested areas of Garda, where many hiking trails are proposed. There is
Tignale, famous for its sanctuary hung on a hill, and Limone sul Garda, a town
of Venetians and perfumed by citrus buildings.<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; text-align: justify;">
<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;"> So Riva del Garda, the
northernmost town of the lake and one of the most beautiful is reached. In 1912
she resided in the writer D. H. Lawrence who also find there the inspiration
for several of his books, he left said that "the Garda is beautiful as the
beginning of creation." Riva abound in classical mansions, restaurants
bordering the lake and hikers that are based routes to the nearby Alps.<o:p></o:p></span></h1>
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<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;">It now falls to the east bank
Malcesine, village Gustav Klimt the painter immortalized in 1913. It huddles
around the slender Scaligero castle, which includes a room dedicated to Goethe
who mentions in his Voyage to Italy (1813). A cable car up Mount Baldo (1,760
m), with one of the best views over the Garda.<o:p></o:p></span></h1>
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<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;">The relaxing coastal walk passes
near the Punta San Virgilio, one of the most charming corners of the lake, and
ends in Bardolino. This town also is an excellent gastronomic bardolino to
enjoy the wines, marinated perfectly with cheeses Garda region.<o:p></o:p></span></h1>
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<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;"> </span></h1>
<h1 style="background: white; line-height: 150%; text-align: justify;">
<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%;">MORE
INFORMATION<o:p></o:p></span></h1>
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<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;">Getting there and around: From
Spain it flies to Milan (Lombardy), from where trains to Sirmione (137 km).
Verona (Veneto) is 42 km away and Trento (Trentino), 127 km. It is best to rent
a car to explore the area freely.<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; margin-left: 36.0pt; mso-list: l1 level1 lfo1; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-family: Wingdings; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-family: Wingdings; mso-bidi-font-weight: bold; mso-fareast-font-family: Wingdings;">ü<span style="font-family: "Times New Roman"; font-size: 7pt; font-stretch: normal; line-height: normal;">
</span></span><!--[endif]--><span style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%;">Malcesine<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; text-align: justify;">
<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;">It is one of the most beautiful
villages of Garda, dominated by Mount Baldo and the lake water near its shores
restaurants.<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; margin-left: 36.0pt; mso-list: l1 level1 lfo1; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-family: Wingdings; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-family: Wingdings; mso-bidi-font-weight: bold; mso-fareast-font-family: Wingdings;">ü<span style="font-family: "Times New Roman"; font-size: 7pt; font-stretch: normal; line-height: normal;">
</span></span><!--[endif]--><span style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%;">Riva del Garda<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; text-align: justify;">
<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;">This town of 17,000 inhabitants,
the northernmost lake, sits where the north shore touches the Trentino region.
Its center shows a majestic architecture, labyrinthine streets and broad market
square, where the Apponmale Tower, a lookout tower 34 m high stands.<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; margin-left: 36.0pt; mso-list: l1 level1 lfo1; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-family: Wingdings; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-family: Wingdings; mso-bidi-font-weight: bold; mso-fareast-font-family: Wingdings;">ü<span style="font-family: "Times New Roman"; font-size: 7pt; font-stretch: normal; line-height: normal;">
</span></span><!--[endif]--><span style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%;">Limone sul Garda<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; text-align: justify;">
<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;">The attractions of this town
perfumed by citrus and flowers are the churches of San Pietro in Oliveto and
its cozy port.<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; margin-left: 36.0pt; mso-list: l1 level1 lfo1; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-family: Wingdings; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-family: Wingdings; mso-bidi-font-weight: bold; mso-fareast-font-family: Wingdings;">ü<span style="font-family: "Times New Roman"; font-size: 7pt; font-stretch: normal; line-height: normal;">
</span></span><!--[endif]--><span style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%;">Monte Castello<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; text-align: justify;">
<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;">This sanctuary (XIII and XIV
centuries) overlooking the lake from a wooded hill in the municipality of
Tignale.<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; margin-left: 36.0pt; mso-list: l1 level1 lfo1; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-family: Wingdings; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-family: Wingdings; mso-bidi-font-weight: bold; mso-fareast-font-family: Wingdings;">ü<span style="font-family: "Times New Roman"; font-size: 7pt; font-stretch: normal; line-height: normal;">
</span></span><!--[endif]--><span style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%;">The stages of the route by Lake Garda<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; margin-left: 36.0pt; mso-list: l0 level1 lfo2; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: Arial;">1.<span style="font-family: "Times New Roman"; font-size: 7pt; font-stretch: normal; font-weight: normal; line-height: normal;"> </span></span><!--[endif]--><span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;"> Sirmione. It sits on a peninsula which
culminates in the medieval castle of Rocca Scaligera (s. XIII).<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; margin-left: 36.0pt; mso-list: l0 level1 lfo2; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: Arial;">2.<span style="font-family: "Times New Roman"; font-size: 7pt; font-stretch: normal; font-weight: normal; line-height: normal;"> </span></span><!--[endif]--><span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;"> Desenzano. Your visit should include the Old
Port, the Cathedral and the arcaded houses.<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; margin-left: 36.0pt; mso-list: l0 level1 lfo2; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: Arial;">3.<span style="font-family: "Times New Roman"; font-size: 7pt; font-stretch: normal; font-weight: normal; line-height: normal;"> </span></span><!--[endif]--><span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;">Limone sul Garda. This village
preserves buildings of the Venetian period.<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; margin-left: 36.0pt; mso-list: l0 level1 lfo2; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: Arial;">4.<span style="font-family: "Times New Roman"; font-size: 7pt; font-stretch: normal; font-weight: normal; line-height: normal;"> </span></span><!--[endif]--><span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;"> Riva del Garda. Worth a visit the Museum of
the Rocca and the mansions of the eighteenth century the Old Town.<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; margin-left: 36.0pt; mso-list: l0 level1 lfo2; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%; mso-fareast-font-family: Arial;">5.<span style="font-family: "Times New Roman"; font-size: 7pt; font-stretch: normal; font-weight: normal; line-height: normal;"> </span></span><!--[endif]--><span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;"> Punta San Vigilio. It is accessed from outside
the village of Garda and hosts the Renaissance Villa Garuenti.<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; margin-left: 36.0pt; text-align: justify;">
<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;"> </span></h1>
<h1 style="background: white; line-height: 150%; text-align: justify;">
<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%;">PROBLEMS
IN TRANSLATING<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; text-align: justify;">
<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;">To translate text from Spanish to
English there is great complexity in the grammar of one language to another,
because the rules that define each language change in many aspects, which must
be taken into account and not miss any detail, because in doing so, It would be
affected the document to be translated.<o:p></o:p></span></h1>
<h1 style="background: white; line-height: 150%; text-align: justify;">
<span style="font-family: "Arial",sans-serif; font-size: 12.0pt; font-weight: normal; line-height: 150%; mso-bidi-font-weight: bold;"> </span></h1>
<div class="MsoNormal" style="line-height: 150%;">
<b><span lang="EN" style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN;">TECHNIQUES APPLIED<o:p></o:p></span></b></div>
<div class="MsoListParagraph" style="line-height: 150%; mso-list: l1 level1 lfo1; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span lang="EN" style="font-family: Wingdings; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN; mso-bidi-font-family: Wingdings; mso-fareast-font-family: Wingdings;">ü<span style="font-family: "Times New Roman"; font-size: 7pt; font-stretch: normal; line-height: normal;"> </span></span><!--[endif]--><b><span lang="EN" style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN;">Technical
procedures:<o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN" style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN;">Analysis of the source and target languages; a through
study of the source language text before making attempts translate it; Making judgments
of the semantic and syntactic approximations. (pp. 241-45)<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%;">
<br /></div>
<div class="MsoListParagraph" style="line-height: 150%; mso-list: l1 level1 lfo1; text-indent: -18.0pt;">
<!--[if !supportLists]--><span lang="EN" style="font-family: Wingdings; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN; mso-bidi-font-family: Wingdings; mso-fareast-font-family: Wingdings;">ü<span style="font-family: "Times New Roman"; font-size: 7pt; font-stretch: normal; line-height: normal;"> </span></span><!--[endif]--><b><span lang="EN" style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN;">Organizational
procedures: <o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN" style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN;">Constant reevaluation of the attempt made; contrasting it
with the existing available translations of the same text done by other
translators, and checking the text's communicative effectiveness by asking the
target language readers to evaluate its accuracy and effectiveness and studying
their reactions (pp. 246-47).<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<span lang="EN" style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN;">Krings (1986:18) defines translation strategy as
"translator's potentially conscious plans for solving concrete translation
problems in the framework of a concrete translation task," and Seguinot
(1989) believes that there are at least three global strategies employed by the
translators: (i) translating without interruption for as long as possible; (ii)
correcting surface errors immediately; (iii) leaving the monitoring for
qualitative or stylistic errors in the text to the revision stage.<o:p></o:p></span></div>
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<b><span lang="EN" style="color: #f8cbad; font-family: "Arial",sans-serif; font-size: 18.0pt; line-height: 115%; mso-ansi-language: EN; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #F8CBAD; mso-style-textfill-fill-colortransforms: "lumm=40000 lumo=60000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textoutline-fill-alpha: 100.0%; mso-style-textoutline-fill-color: #ED7D31; mso-style-textoutline-fill-themecolor: accent2; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: .875pt; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: solid; mso-themecolor: accent2; mso-themetint: 102;">METHODS<o:p></o:p></span></b></div>
</td>
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<b><span lang="EN" style="color: #f8cbad; font-family: "Arial",sans-serif; font-size: 18.0pt; line-height: 115%; mso-ansi-language: EN; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #F8CBAD; mso-style-textfill-fill-colortransforms: "lumm=40000 lumo=60000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textoutline-fill-alpha: 100.0%; mso-style-textoutline-fill-color: #ED7D31; mso-style-textoutline-fill-themecolor: accent2; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: .875pt; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: solid; mso-themecolor: accent2; mso-themetint: 102;">STRATEGIES<o:p></o:p></span></b></div>
</td>
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<b><span lang="EN" style="color: #f8cbad; font-family: "Arial",sans-serif; font-size: 18.0pt; line-height: 115%; mso-ansi-language: EN; mso-style-textfill-fill-alpha: 100.0%; mso-style-textfill-fill-color: #F8CBAD; mso-style-textfill-fill-colortransforms: "lumm=40000 lumo=60000"; mso-style-textfill-fill-themecolor: accent2; mso-style-textoutline-fill-alpha: 100.0%; mso-style-textoutline-fill-color: #ED7D31; mso-style-textoutline-fill-themecolor: accent2; mso-style-textoutline-outlinestyle-align: center; mso-style-textoutline-outlinestyle-compound: simple; mso-style-textoutline-outlinestyle-dash: solid; mso-style-textoutline-outlinestyle-dpiwidth: .875pt; mso-style-textoutline-outlinestyle-join: round; mso-style-textoutline-outlinestyle-linecap: flat; mso-style-textoutline-outlinestyle-pctmiterlimit: 0%; mso-style-textoutline-type: solid; mso-themecolor: accent2; mso-themetint: 102;">TECHNIQUES<o:p></o:p></span></b></div>
</td>
</tr>
<tr>
<td style="border-top: none; border: solid #C5E0B3 1.0pt; mso-border-alt: solid #C5E0B3 .5pt; mso-border-themecolor: accent6; mso-border-themecolor: accent6; mso-border-themetint: 102; mso-border-themetint: 102; mso-border-top-alt: solid #C5E0B3 .5pt; mso-border-top-themecolor: accent6; mso-border-top-themetint: 102; padding: 0cm 5.4pt 0cm 5.4pt; width: 134.65pt;" valign="top" width="180">
<div class="MsoNormal" style="line-height: 150%; mso-element-anchor-horizontal: margin; mso-element-anchor-vertical: paragraph; mso-element-frame-hspace: 7.05pt; mso-element-left: -50.4pt; mso-element-top: 13.9pt; mso-element-wrap: around; mso-element: frame; mso-height-rule: exactly; mso-yfti-cnfc: 4; text-align: justify;">
<span lang="EN" style="font-family: "Arial",sans-serif; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN; mso-bidi-font-weight: bold;">. Read the entire text before
you start. Although in many cases it may be tempting to jump immediately into
translate, the first thing you should do is read the entire text (or at least
read it above). This will help to give you an initial idea of the theme and
style, as well as the extent and level of difficulty of the text.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; mso-element-anchor-horizontal: margin; mso-element-anchor-vertical: paragraph; mso-element-frame-hspace: 7.05pt; mso-element-left: -50.4pt; mso-element-top: 13.9pt; mso-element-wrap: around; mso-element: frame; mso-height-rule: exactly; mso-yfti-cnfc: 4; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; mso-element-anchor-horizontal: margin; mso-element-anchor-vertical: paragraph; mso-element-frame-hspace: 7.05pt; mso-element-left: -50.4pt; mso-element-top: 13.9pt; mso-element-wrap: around; mso-element: frame; mso-height-rule: exactly; mso-yfti-cnfc: 4; text-align: justify;">
<span lang="EN" style="font-family: "Arial",sans-serif; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN; mso-bidi-font-weight: bold;">. Review, edit and make
decisions<o:p></o:p></span></div>
</td>
<td style="border-bottom: solid #C5E0B3 1.0pt; border-left: none; border-right: solid #C5E0B3 1.0pt; border-top: none; mso-border-alt: solid #C5E0B3 .5pt; mso-border-bottom-themecolor: accent6; mso-border-bottom-themetint: 102; mso-border-left-alt: solid #C5E0B3 .5pt; mso-border-left-themecolor: accent6; mso-border-left-themetint: 102; mso-border-right-themecolor: accent6; mso-border-right-themetint: 102; mso-border-themecolor: accent6; mso-border-themetint: 102; mso-border-top-alt: solid #C5E0B3 .5pt; mso-border-top-themecolor: accent6; mso-border-top-themetint: 102; padding: 0cm 5.4pt 0cm 5.4pt; width: 262.25pt;" valign="top" width="350">
<div class="MsoNormal" style="line-height: 150%; mso-element-anchor-horizontal: margin; mso-element-anchor-vertical: paragraph; mso-element-frame-hspace: 7.05pt; mso-element-left: -50.4pt; mso-element-top: 13.9pt; mso-element-wrap: around; mso-element: frame; mso-height-rule: exactly; text-align: justify;">
<b><span lang="EN" style="font-family: "Arial",sans-serif; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN;">1) Respect for the context: </span></b><span lang="EN" style="font-family: "Arial",sans-serif; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN;">A translator without context there is no one. It is
impossible to get a good translation without considering about the setting in
which we move, to whom it is directed, for what purpose, etc, Each document
has some specific needs that a translator must learn and master. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; mso-element-anchor-horizontal: margin; mso-element-anchor-vertical: paragraph; mso-element-frame-hspace: 7.05pt; mso-element-left: -50.4pt; mso-element-top: 13.9pt; mso-element-wrap: around; mso-element: frame; mso-height-rule: exactly; text-align: justify;">
<b><span lang="EN" style="font-family: "Arial",sans-serif; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN;">2) Obtain prior information: </span></b><span lang="EN" style="font-family: "Arial",sans-serif; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN;">There are to collect information about the topic in
question. Key is to be up to date on the knowledge included in our
translation, using material that is already published or similar to
previously translated or other reference documents. So it will be useful to
consult the information related to the text to translate, which can be found
in text-books, doctoral theses, manuals, patents already granted in the same
field and even in specialized forums. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; mso-element-anchor-horizontal: margin; mso-element-anchor-vertical: paragraph; mso-element-frame-hspace: 7.05pt; mso-element-left: -50.4pt; mso-element-top: 13.9pt; mso-element-wrap: around; mso-element: frame; mso-height-rule: exactly; text-align: justify;">
<b><span lang="EN" style="font-family: "Arial",sans-serif; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN;">3) Work with the terminology and
location of the text: </span></b><span lang="EN" style="font-family: "Arial",sans-serif; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN;">Before
you start a translation, we should locate dictionaries and glossaries
(printed, on-line on the Internet) on the topic(s) involved in the same. Make
a glossary prior to the most important terms will be of great help. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; mso-element-anchor-horizontal: margin; mso-element-anchor-vertical: paragraph; mso-element-frame-hspace: 7.05pt; mso-element-left: -50.4pt; mso-element-top: 13.9pt; mso-element-wrap: around; mso-element: frame; mso-height-rule: exactly; text-align: justify;">
<b><span lang="EN" style="font-family: "Arial",sans-serif; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN;">4) Monitor the grammar and the
spelling: </span></b><span lang="EN" style="font-family: "Arial",sans-serif; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN;">Must always be respected
the rules of spelling and grammar of the target language.<o:p></o:p></span></div>
</td>
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<div class="MsoNormal" style="line-height: 150%; mso-element-anchor-horizontal: column; mso-element-left: -50.4pt; mso-element-wrap: auto; mso-element: frame; mso-height-rule: exactly; text-align: justify;">
<b><span lang="EN" style="font-family: "Arial",sans-serif; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN;">Technical procedures <o:p></o:p></span></b></div>
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<b><span lang="EN" style="font-family: "Arial",sans-serif; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN;"> </span></b><span lang="EN" style="font-family: "Arial",sans-serif; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN;">Analysis of the source and target languages; a through
study of the source language text before making attempts translate it; Making
judgments of the semantic and syntactic approximations<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; mso-element-anchor-horizontal: column; mso-element-left: -50.4pt; mso-element-wrap: auto; mso-element: frame; mso-height-rule: exactly; text-align: justify;">
<b><span lang="EN" style="font-family: "Arial",sans-serif; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN;">Organizational procedures<o:p></o:p></span></b></div>
<div class="MsoNormal" style="line-height: 150%; mso-element-anchor-horizontal: margin; mso-element-anchor-vertical: paragraph; mso-element-frame-hspace: 7.05pt; mso-element-left: -50.4pt; mso-element-top: 13.9pt; mso-element-wrap: around; mso-element: frame; mso-height-rule: exactly; text-align: justify;">
<span lang="EN" style="font-family: "Arial",sans-serif; font-size: 10.0pt; line-height: 150%; mso-ansi-language: EN;">Constant reevaluation of the attempt made; contrasting
it with the existing available translations of the same text done by other
translators, and checking the text's communicative effectiveness by asking
the target language readers to evaluate its accuracy and effectiveness and
studying their reactions<o:p></o:p></span></div>
</td>
</tr>
</tbody></table>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br /></div>
<div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;">
<b><span lang="EN" style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN;">REFERENCES<o:p></o:p></span></b></div>
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<br /></div>
<div class="MsoListParagraphCxSpFirst" style="line-height: 150%; mso-list: l1 level1 lfo1; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span lang="EN" style="font-family: Wingdings; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN; mso-bidi-font-family: Wingdings; mso-fareast-font-family: Wingdings;">ü<span style="font-family: "Times New Roman"; font-size: 7pt; font-stretch: normal; line-height: normal;"> </span></span><!--[endif]--><span lang="ES" style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%;"><a href="http://www.nationalgeographic.com.es/articulo/viajes/rutas_y_escapadas/9517/lag%20o_garda.html">http://www.nationalgeographic.com.es/articulo/viajes/rutas_y_escapadas/9517/lag
o_garda.html</a> </span><span lang="EN" style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 150%; mso-ansi-language: EN;"><o:p></o:p></span></div>
<div class="MsoListParagraphCxSpFirst" style="line-height: 150%; mso-list: l1 level1 lfo1; text-align: justify; text-indent: -18.0pt;">
<br /></div>
<div class="MsoListParagraphCxSpMiddle" style="mso-list: l1 level1 lfo1; text-indent: -18.0pt;">
<!--[if !supportLists]--><cite><span lang="EN-US" style="font-family: Wingdings; font-style: normal; mso-ansi-language: EN-US; mso-bidi-font-family: Wingdings; mso-bidi-font-style: italic; mso-bidi-font-weight: bold; mso-fareast-font-family: Wingdings;">ü<span style="font-family: "Times New Roman"; font-size: 7pt; font-stretch: normal;"> </span></span></cite><!--[endif]--><span lang="EN-GB" style="font-family: "Arial",sans-serif; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-GB;">Diccionarios bilingües: Collins
English-Spanish-English Dictionary, Harrap´s English-Spanish-English Dictionary
</span><span lang="ES"><a href="http://www.collinsdictionary.com/dictionary/english-spanish"><span lang="EN-US">www.<b>collinsdictionary</b>.com/<b>dictionary</b>/<b>english</b>-<b>spanish</b></span></a></span><cite><b><span lang="EN-US" style="font-family: "Calibri",sans-serif; mso-ansi-language: EN-US; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-bidi-theme-font: minor-bidi; mso-hansi-theme-font: minor-latin;"><o:p></o:p></span></b></cite></div>
<div class="MsoListParagraphCxSpLast" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<br /></div>
<div align="center" class="MsoNormal" style="margin-left: 18.0pt; text-align: center;">
<br /></div>
Anonymoushttp://www.blogger.com/profile/04704576904958401694noreply@blogger.com0tag:blogger.com,1999:blog-5331417061085105756.post-5489120570144343862016-07-06T11:08:00.001-07:002016-07-06T11:08:04.787-07:00<!--[if gte mso 9]><xml>
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<br />
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 1;">
<b><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 18.0pt;">Chocolate,
divine drink that conquered Europe’s</span></b></div>
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 1;">
<br /></div>
<br />
<img alt="Una chocolatada" height="200" src="http://www.nationalgeographic.com.es/medio/2014/04/22/0079370d_1569x2000.jpg" title="Una chocolatada" width="156" /><br />
<div class="MsoNormal" style="line-height: normal; mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; mso-outline-level: 1;">
<b><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 18.0pt;">A </span></b><span class="notranslate"><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US;">chocolatada</span></b></span><b><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES; mso-font-kerning: 18.0pt;"></span></b></div>
<i><span class="notranslate"><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: major-fareast;">Snack with chocolate in a French house in the
eighteenth century.</span></span><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;"> </span><span class="notranslate"><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: major-fareast;">Oil by François
Boucher.</span></span><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;"> </span><span class="notranslate"><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: major-fareast;">Louvre, Paris </span></span></i><br />
<span class="notranslate"><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: major-fareast;"><br /></span></span>
<br />
<span class="notranslate"><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: major-fareast;"></span></span><span lang="EN-US" style="font-family: "Arial","sans-serif"; mso-ansi-language: EN-US;"></span>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;">Despite initial misgivings, in the seventeenth century
chocolate drink it became fashionable European high society<br />
</span></b><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;"><br />
On April 3, 1502, Christopher Colón was going out, once again, of the port of
Seville. His idea was to find a maritime step that, from Central America, was
taking it, to the end, to Asia. It was his fourth voyage to the New World, and
the route had its difficulties. One day, in half of a storm, the navigator and
his men were forced to disembark. Apparently, they intercepted then a Mayan
craft that was taking as load a few almonds to which Colon did not grant
importance. Without knowing it, the Admiral had the first contact with the
seeds of the cacao tree.<br />
More than two hundred years later, Madrid was consuming more than five tons of
chocolate a year. According to the chronicles of the moment, there was no
street in the capital in the one that was not selling. This can illustrate that
I begin an evil not always it is determinant, since the chocolate is obtained
of the almonds that Colon had rejected. </span></div>
<div class="MsoNormal">
<span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;">We do not know which was
the first contact between the Spanish and the tipsy chocolate that Maya and
Aztecs were consuming, for whom this product was very important. The Maya made
written the first references of the history to his consumption in the Codex
called of Madrid, preserved in the Museum of America. For your part, the Aztecs
were thinking that the seeds of those who were obtaining the chocolate were not
but the materialization of Quetzalcoatl, god of the wisdom.</span></div>
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<br /></div>
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<span lang="EN" style="clear: right; float: right; font-family: "Arial","sans-serif"; font-size: 12pt; line-height: 115%; margin-bottom: 1em; margin-left: 1em;"><img alt="El árbol del cacao" height="200" src="http://www.nationalgeographic.com.es/medio/2014/04/22/album_orz002817_1523x2000.jpg" title="El árbol del cacao" width="152" /> </span></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;">Tenochtitlan to Madrid</span></b><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;"><br />
<br />
So important was the cocoa to the Aztecs almonds used as currency. Peter Martyr,
of <span style="mso-spacerun: yes;"> </span>Anglería, Chronicler of The Indies,
was said about it: "They use currency, not of metal, but of nutlets of
certain trees, seemed to the almond " To understand better the exchanges realized
in the Aztec world, the Spaniards drew up tables of equivalence. Thanks to
them, we know that a hare paid in cocoa cost the same as the services of a
prostitute.<br />
At first the Spaniards showed rejection chocolate, because according to the
chronicler Gonzalo Fernandez of Oviedo, lips were as bloodstained after
drinking it. Apart from it, his bitter and piquant flavor had not just
convinced them. Girolamo Benzoni, in his history of nuovo mondo, came to show
that "</span><span lang="EN" style="mso-ansi-language: EN-US;"> </span><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;">the chocolate was looking like rather a drink for porks
that to be consumed by the humanity." </span></div>
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<span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;">Despite everything, in
the 16th century it came to Spain and was presented to Charles V by Hernan
Cortes. From that moment, its acceptance would increase, managing to reach very
high levels.</span></div>
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<br /></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;">The victory of the chocolate</span></b><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;"><br />
According to diverse authors, the monks were responsible for spreading the
chocolate consumption in monasteries. With the time, would the Cistercians who
will attain greater fame as chocolatiers</span><span lang="EN" style="mso-ansi-language: EN-US;"> </span><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;">But not all the
religious ones proved to be favorable to his consumption. In this sense, the
Jesuits were thinking that chocolate were contrary to the precepts of
mortification and poverty. Since the nutritious beverage also took into periods
of fasting, soon a debate between advocates and opponents of this custom was
opened. It was in the seventeenth century when answer to the question was
given. Come from the hand of François Marie Cardinal Brancaccio, who eventually
stating: "the liquidum non frangit jejunum", ie, "the liquid
does not break the fast." The Church accepted the consumption of drinking
chocolate.<br />
Precisely, in the seventeenth century, served as a hot chocolate drink, became
indispensable part of the "entertainment" snacks ritual followed the
nobles offered their views. It used to be accompanied by biscuits and other
sweets for dipping. If the snack is held in winter, if the snack is held in
winter, it was normal to be taken in the heat of the braziers on podiums living
rooms, between cushions and tapestries. If chocolate starring a summer snack,
usually served with a "snow vase," a glass of ice</span><span lang="EN" style="mso-ansi-language: EN;">. </span><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;">Since chocolate is consumed very thick, stains that produced the spill were
very annoying. But one day in 1640, Mr. Pedro Alvarez of Toledo and Leiva,
viceroy of Peru and first Marquis of Mancera, came up with a solution. He
invented a container consisting of a small tray with central clamp, which was
holding the gourd, small vessel without a handle within which the chocolate is
poured. In honor of its inventor, the tray would be christened mancerina.
According to the social level who served the meal, the mancerinas could be
silver, porcelain or earthenware.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;">Fashion comes to Versailles</span></b><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;"><br />
<br />
Chocolate consumption in Spain known widely disseminated throughout the
seventeenth century and was announced in the confectioneries such as the
"drink that comes from the Indies." The habit of drinking chocolate
was so widespread that even the ladies of the nobility did serve in half the
long and boring church sermons. The bishops, offended, banned this form of
consumption.<br />
Soon, the rest of Europe, especially France, adopted this sweet tradition. One
of those responsible was Anne of Austria, daughter of Philip III, who exported
the habit of snacking and breakfast chocolate after her wedding to Louis XIII.
Maria Teresa of Austria, daughter of Philip IV and wife of Louis XIV,
strengthened this practice by taking chocolate regularly in their new country.<br />
When the Bourbons came to Spain they were very fond of chocolate. Above all,
Felipe V and his son Charles III, who used to have breakfast with this drink.
It was precisely Carlos III, in an effort to create an industry that sit the
foundations for economic development of the country, who allowed the exclusive
monopoly between Real Madrid and the Captaincy General of Venezuela exchange.
Through the centralized system that characterized his reign, the monarch
created an institution responsible for managing trade, called Royal Company
Guipuzcoana de Caracas. The product reached the Spanish tables through grocery
stores.<br />
He also was in the eighteenth century when the chocolate broke into the pastry.
Juan de la Mata used it as an ingredient to make sweets dry in some recipes
from her book Art pastries. De la Mata himself was a forerunner of the
chocolate mousse by inventing what he called chocolate mousse, something very
similar to the mousse.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;">Chocolatiers<br />
</span></b><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;"><br />
The preparation of the product would then be consumed was the responsibility of
the grinder. He traveled the country with a curved stone on the back. Following
the technique called the metate, consisting of ground, kneeling, and said
stone, cocoa beans. Slowly, and with great effort, drew a uniform liquid mass,
known as cocoa paste. The Valencian lawyer Marcos Antonio Orellana speaks of it
in this poem: "O divine chocolate / grind that you kneel / folded hands
you beat / and eyes to heaven you drink!".<br />
Everything changed from the nineteenth century, when the Industrial Revolution
techniques favored further cheapened consumption and cost. Soon, tea and coffee
were moving to chocolate, which began to associate with revelers and night
owls. Gone were the days when he was considered divine character, as he wrote
Valle-Inclan: "Cocoa language of Anahuac / gods is bread or
Cacahuac".<br />
<b style="mso-bidi-font-weight: normal;">To know more</b> <br />
<i>The true history of chocolate. Michael and Sophie D. Coe. FCE, Mexico, 1999.</i></span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;"><span style="mso-spacerun: yes;"> </span>Problems
encountered when translating.</span></b><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;"><br />
<span style="mso-spacerun: yes;"> </span>As in all translations, the form of an
English text is different from the one in Spanish, which poses problems when
grouping paragraphs.</span></div>
<div class="MsoNormal">
<br /></div>
<div class="MsoNormal">
<b style="mso-bidi-font-weight: normal;"><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;">Techniques applied:</span></b></div>
<div class="MsoListParagraphCxSpFirst" style="mso-list: l0 level1 lfo1; text-indent: -18.0pt;">
<span lang="EN" style="font-family: Symbol; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-US;">the
use of reformulation, which is a good example in the next section (No sabemos
cuál fue el primer contacto entre los españoles y el chocolate bebido que
consumían mayas y aztecas, para quienes este producto era muy importante</span><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;">), <b style="mso-bidi-font-weight: normal;">We do not know
what was the first contact between the <u>Spanish and the drunk who consumed
chocolate</u> Mayans and Aztecs,</b>which is to express something very
different in the language that translates mode, which is very common when
translating cliches, the which would make no sense to the reader if translated
literally</span></div>
<div class="MsoListParagraphCxSpLast" style="mso-list: l0 level1 lfo1; text-indent: -18.0pt;">
<span lang="EN" style="font-family: Symbol; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;">Among
the techniques used have often been used Transpose. This technique, which
involves changing the grammatical structures but maintaining the idea:</span></div>
<div class="MsoNormal">
<span style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%;">Para entender mejor los intercambios realizados en el
mundo azteca, los españoles elaboraron unas tablas de equivalencia</span></div>
<div class="MsoNormal" style="margin-left: 18.0pt;">
<span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;">To better understand the exchanges in the Aztec world, the Spaniards drew
up tables of correspondence</span></div>
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<br /></div>
<table border="1" cellpadding="0" cellspacing="0" class="MsoTableGrid" style="border-collapse: collapse; border: none; margin-left: 18.0pt; mso-border-alt: solid windowtext .5pt; mso-padding-alt: 0cm 5.4pt 0cm 5.4pt; mso-yfti-tbllook: 1184;">
<tbody>
<tr style="mso-yfti-firstrow: yes; mso-yfti-irow: 0;">
<td style="border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 144.05pt;" valign="top" width="240">
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN;">Methods </span></div>
</td>
<td style="border-left: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 144.05pt;" valign="top" width="240">
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: purple;"><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN;">Strategies</span></span></div>
</td>
<td style="border-left: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 144.1pt;" valign="top" width="240">
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="color: blue;"><span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN;">Techniques </span></span></div>
</td>
</tr>
<tr style="mso-yfti-irow: 1; mso-yfti-lastrow: yes;">
<td style="border-top: none; border: solid windowtext 1.0pt; mso-border-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 144.05pt;" valign="top" width="240">
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES;">form in which translation is done</span><span lang="EN-US" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN-US; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: ES;"></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<br /></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 144.05pt;" valign="top" width="240">
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN;">are the tools that are used based on strategies and
techniques for translation</span></div>
</td>
<td style="border-bottom: solid windowtext 1.0pt; border-left: none; border-right: solid windowtext 1.0pt; border-top: none; mso-border-alt: solid windowtext .5pt; mso-border-left-alt: solid windowtext .5pt; mso-border-top-alt: solid windowtext .5pt; padding: 0cm 5.4pt 0cm 5.4pt; width: 144.1pt;" valign="top" width="240">
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm;">
<span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; mso-ansi-language: EN;">are the steps construing apply at the time of
translating</span></div>
</td>
</tr>
</tbody></table>
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<span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;"> </span></div>
<div class="MsoNormal" style="margin-left: 18.0pt;">
<br /></div>
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<br /></div>
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<span lang="EN" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN;">REFERENCES</span></div>
<div class="MsoNormal" style="margin-left: 18.0pt;">
<br /></div>
<div class="MsoNormal" style="margin-left: 18.0pt;">
<span lang="EN-GB" style="font-family: "Arial","sans-serif"; font-size: 12.0pt; line-height: 115%; mso-ansi-language: EN-GB;">Diccionarios bilingües: Collins
English-Spanish-English Dictionary, Harrap´s English-Spanish-English Dictionary
</span><a href="http://www.collinsdictionary.com/dictionary/english-spanish"><span lang="EN-US" style="mso-ansi-language: EN-US;">www.<b>collinsdictionary</b>.com/<b>dictionary</b>/<b>english</b>-<b>spanish</b></span></a></div>
<div class="MsoNormal" style="margin-left: 18.0pt;">
<span lang="EN-US" style="mso-ansi-language: EN-US;"><br /></span></div>
<div data-canvas-width="405.2791372549022" style="font-family: sans-serif; font-size: 11.0196px; left: 78.1511px; top: 384.924px; transform: scaleX(0.998224);">
http://www.nationalgeographic.com.es/articulo/historia/secciones/9139/chocolate_b ebida_divina_que_conquisto_europa.ht</div>
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mavel yalitza cardona pazhttp://www.blogger.com/profile/06254896065553881064noreply@blogger.com0tag:blogger.com,1999:blog-5331417061085105756.post-57985435212394946562016-07-06T09:52:00.002-07:002016-07-06T10:27:43.261-07:00<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
1. A TRANSLATED TEXT“MADAGASCAR” THE GREAT INDIAN ISLAND”<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjplxh8l7QyQwy65LbMe9CY2fj4CcjDcJhYiV_O-CVCDgi-gKOsnY8V4O7e64uGBDgDkb0jJ42ARivzq0-CBFFtYPgYV2zjnsEtFRle2AiMt2aYGzcuXSL-oFMmR1OXkXet3JFhEkUNSulI/s1600/Madagaskar3.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjplxh8l7QyQwy65LbMe9CY2fj4CcjDcJhYiV_O-CVCDgi-gKOsnY8V4O7e64uGBDgDkb0jJ42ARivzq0-CBFFtYPgYV2zjnsEtFRle2AiMt2aYGzcuXSL-oFMmR1OXkXet3JFhEkUNSulI/s320/Madagaskar3.jpg" width="320" /></a></div>
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<div style="text-align: justify;">
<br /></div>
<div>
Walking this paradise of giant trees, unique animals and coral beaches I went to Madagascar to admire the baobabs of Morondava, but I found an island 1,600 kilometer long that loved me for its varied landscapes: paddies, lush vegetation, animals as curious as lemurs and magnificent beaches south and north. </div>
<div>
In Madagascar almost all it starts in the capital, Antananarivo (Tana for friends), a noisy city that spreads by 18 hills, with street markets, a lake and a palace. In Tana I became familiar with the local currency, the ariary, I learned that rice is the staple food and rented, with my friend Patrick, a French guide who has spent years on the island, an SUV to go to Morondava vehicle.</div>
<div>
<br />
Tana Leaving everything changes. The urban chaos is diluted and overlook the Highlands, A green landscape of rolling hills, red soil and paddy fields. " The mixture of Africa and Asia in the landscape because the Indonesian island peopled ", Patrick tells me .We passed many Taxi Brousse , minibuses loaded in excess whose drivers risk their lives to earn a few minutes.</div>
<div>
In Antsirabe, 160km south of Tana, the pousse - pousses (carts pulled by a man) Asian confirm the vocation of the island. Here the road is diverted to Morondava through a landscape where meadows where grazing zebu alternate with sugar cane plantations and forests depleted illustrating deforestation of the island. A mouthwatering samosas (typical South Asian dumplings) served lunch in one of the many stops next to the road. </div>
<div>
Shortly before the first baobabs Morondava appear, reigning over the rice fields. They are the type Adansonia grandidieri, reaching 30 meter high. Baobabs only grow in Africa and the west coast of Australia, but in Madagascar live up to seven species. Hence to be known as "the mother island of baobabs” although the British writer Gerald Durrell (1925-1995) preferred fauna, whose protection is still devotes Durrell Wildlife Conservation Trust.</div>
<div>
Just at the entrance of Morondava a poster announces the school Le Petit Prince with a drawing of the Prince de Saint-Exupery. Beyond, a dusty streets and a beach battered by cyclones Morondava become a soulless population.</div>
<div>
When evening falls we approach the so-called Avenue of the Baobabs , close to the city. The slanting light of evening shadows lengthen and beautifies the red trunks, while a cart moving on the road. "I came from Tokyo just to see this," Japanese confesses me with tears of emotion.A few steps, a few baobabs entwine their trunks: the tree lovers.</div>
<div>
About 200 kilometers north of Morondava is the Tsingy Bemaraha Park. It's like an enchanted forest of stone, with sharp limestone pinnacles that also populate the reserve of Ankarana in the north. Here we must be careful with the fady, the Malagasy word for taboo and indicating, for example, you should never point a tomb with your finger. </div>
<div>
Madagascar is a large island you learn as you go devouring kilometers. In my journey south, herds of zebu and Malagasy shepherds, wrapped in colorful blankets, foreshadow the arrival in Ambositra. In this city jams pousse - pousses are repeated, but there is also a special agitation as Savika parties are held. We followed the crowd to a stadium where young people compete trying to mount threatening zebu horns.</div>
<div>
A few kilometers away, around Fianarantsoa they are an ideal place for trekking through rice fields and villages minimal field. But it is in the gorges of Isalo Park with lakes and waterfalls, where the view of the ringed brings me back to Madagascar lemurs dreamed. Improvised settlements seekers sapphires, fever Madagascan gold, preceding later the return of baobabs in the region Tulear, a population that has sandy beaches and restaurants serving steak flavored zebu with spices on the island especially vanilla.</div>
<div>
A few days later we flew north to the island of Nosy Be, where tropical vegetation surrounds beaches where fish, lobster and black coral abound. On the east coast of Madagascar there is a similar paradise in Sainte -Marie Island with palm fringed beaches and crystal waters. </div>
<div>
Back on land, we follow the north coast by taxi - brousse to Diego Suarez, a city which left its mark French colonial presence. It was here that pirates founded in the seventeenth century, the utopian republic of Libertalia. "The spoils were divided equally," Patrick tells me, "but did not have the local population. One day down the Madagascan Mountains and ended with everyone and everything. “Long ago there is nothing of that ephemeral pirate republic, but on the main street of Diego Suarez a painted recalls the utopia that reigned in the north of this island dream.</div>
tonny36http://www.blogger.com/profile/13121109377361511619noreply@blogger.com0tag:blogger.com,1999:blog-5331417061085105756.post-23920752287685766532016-07-06T09:48:00.004-07:002016-07-06T10:01:01.516-07:00<div style="text-align: justify;">
1. A TEXT ABOUT THE PROBLEMS FACED AND TECHNIQUES APPLIED.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
When performing reading "Madagascar, the great Indian Island" to the English language,</div>
<div style="text-align: justify;">
it was so difficult because there were many terms that I didn’t know and I had to use </div>
<div style="text-align: justify;">
the dictionary to consult the unknown idiomatic terms and try to identify and understand</div>
<div style="text-align: justify;">
the right term that really fit to the reading sense and do not decontextualize the real </div>
<div style="text-align: justify;">
meaning of the text, it was due to cultural environment., for example asiatica, deforestation</div>
<div style="text-align: justify;">
off-road, as well as native word of India which I unknown and I did spend a lot of time</div>
<div style="text-align: justify;">
to discover this kind of words. From the foregoing, it was necessary to use the dictionary </div>
<div style="text-align: justify;">
and translator to improve the understanding of the text and to make a good translation of</div>
<div style="text-align: justify;">
the text.</div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Due to the number of words from the country of India, which I took directly without translating</div>
<div style="text-align: justify;">
apply the technique of the loan, just apply the technique of calque it was to translate phrases</div>
<div style="text-align: justify;">
for word to give meaning to prayer, finally when I was with phrases that should change its </div>
<div style="text-align: justify;">
grammatical form used the technique transposition. </div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
Using these techniques I learned new meanings of words much more increase my vocabulary.</div>
<div style="text-align: justify;">
<br /></div>
tonny36http://www.blogger.com/profile/13121109377361511619noreply@blogger.com0tag:blogger.com,1999:blog-5331417061085105756.post-81216337737571839712016-07-06T09:41:00.001-07:002016-07-06T10:13:10.151-07:00<div class="WordSection1">
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<h3>
<b><span lang="EN-US" style="font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%;"><br /></span></b><b><span lang="EN-US" style="font-family: "times new roman" , "serif"; font-size: 12.0pt; line-height: 150%;">3. A CHART ABOUT
DIFFERENCES BETWEEN METHOD, STRATEGY AND TECHNIQUE.</span></b><br />
</h3>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrDu_u_9clk48XZ2jnnCiFMxMB0etcYBYPZx-5_voawaWQYvDlsrb-tKrIM3L9EnWf_4aM6PFmH9ozk7HzPh-D0sUZR8S10Qju4ayBjuBYUSwlpjP2g7ZrEm52XiXp8c-iECPEg1xblGSx/s1600/cuadro.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="434" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjrDu_u_9clk48XZ2jnnCiFMxMB0etcYBYPZx-5_voawaWQYvDlsrb-tKrIM3L9EnWf_4aM6PFmH9ozk7HzPh-D0sUZR8S10Qju4ayBjuBYUSwlpjP2g7ZrEm52XiXp8c-iECPEg1xblGSx/s640/cuadro.jpg" width="640" /></a></div>
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tonny36http://www.blogger.com/profile/13121109377361511619noreply@blogger.com0tag:blogger.com,1999:blog-5331417061085105756.post-33546525853790159392016-07-04T15:16:00.002-07:002016-07-04T15:18:41.516-07:00Farnesina Village: A paintings´ gallery under the Tiber<div class="MsoNormal" style="line-height: 150%; text-align: justify;">
<b><span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">Farnesina
Village: A paintings´ gallery under the Tiber</span></b><br />
<b><span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;"><br /></span></b>
<b><span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: x-small; line-height: 150%;">Translated by Diana Guevara from its original language</span></b><br />
<b><span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;"><br /></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL2V8xTvklpKz9v0GWZz6Kf9vvP5DeNjlPthvNnr7XioCsxLXhPvC1ZY26J1U1kmNLmH2FQjAKXNUAUchipOvyFu91ajUzAa3khkUgWgU2ckA-k6qNWOVMSFRJoMd1LqpSjwrJrF8W9UoG/s1600/farnesina.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL2V8xTvklpKz9v0GWZz6Kf9vvP5DeNjlPthvNnr7XioCsxLXhPvC1ZY26J1U1kmNLmH2FQjAKXNUAUchipOvyFu91ajUzAa3khkUgWgU2ckA-k6qNWOVMSFRJoMd1LqpSjwrJrF8W9UoG/s320/farnesina.jpg" width="244" /></a></div>
<span style="font-family: Arial, Helvetica, sans-serif;">In 1879 an urban remodeling in Rome brought to light
the remains of a Roman home from the I B.C. century with splendid frescos. </span><o:p></o:p><br />
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<span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">A catastrophic flooding of the Tiber occurred on
December 28<sup>th</sup> 1870 while passing through Rome. From the very
beginning the city suffered from the repeated flooding of this kind, but
nowadays the Italian government decided to provide all the resources to prevent
them from happening. A committee squad of the best hydraulic engineers from the
time and on 1875 with the impulse of Giusseppe Garibaldi, Raffache Canevari´s
project was approved, which proposed to build walls on the margins of the river,
clean and expand its riverbed until reaching 100 meters of width on its trail
around the city. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">In the Farnesina Village, a beautiful renaissance
residence on the right side of the river shore, the riverbed did not measure
more than 40 meters, which is why other 60 meters were dug out in order to
reach the width established by the Canevari project. It was during the
construction work on March 1879 that ´´the noble remains of a private house of
the Augustea age with the most exquisite mural paintings that had never before
been seen in Rome.´´ were shown to the world according to the archeologist
Rodolfo Lancians on his first report.<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">The residence was indeed part of the Emperor Augusto´s
age ( 27 B.C. – 14 A.D.) and it stood out because of its frescos and stuccos
miraculously conserved. Up until that moment the examples of Roman parietal
paintings that appeared in the empire´s capital, the only ones that were known
were the ones at the Livia house in Palatino and at the Auditory of Mecinas in
Erquilino, which is why the study of antique roman painting was based
exclusively on the contemporary discoveries of the Pompeiians. <o:p></o:p></span></div>
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<b><span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;"><br /></span></b></div>
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<b><span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">Operation
Rescue<o:p></o:p></span></b></div>
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<span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">The archeologist had to work under a great deal of
pressure. The architectural remains of the house were eliminated due to
´´public utility reasons.´´ Such was the urgency that the engineer in charge of
the follow up and digging excavations, Domenico Marchetti, complained on June
1879 of not being able to guarantee the exact planimetry, due to the fact that
the old walls were knocked down before he could measure or draw its position.
The only thing that was decided to keep was decorative elements: frescos,
stuccos, and mosaics. Some of them were lost, especially black and white
geometric mosaics, and others got stolen or sold to art merchants that stood
beside the excavation sites to bribe the workers. However, most of the
paintings were transferred over huge plank to the Botanic Garden, until they
were taken to its final destination in the Termas de Diocleciano, the first
branch of the National Roman Museum in 1889.
<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">On September 1879 a well-known journalist from La
Stampa wrote: ´´ It is a very special and curious work done with great ability
and patience. Each one of those frescos was taken from the walls, they can be
taken as if they were a piece of fabric, it is cleaned and placed on a frame.
That is how many beautiful paintings are made. I have already seen a few of
them framed and I may tell you that it is something my eyes had never seen.´´<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">It is believed that this splendid village was built by
Marco Vipsanio Agripa around 21 B.C. , when he got married with Julia,
Augusto´s daughter. A neighborhood filled mainly by art workshops and big storage
homes like wineries that were found in 1880 in the vicinity of the village, rose
on the Trastevere. Although it was not a highly populated residential suburban
zone like the nearby Janiculum or the Vatican areas, the Latin sources place in
them other famous villages such as the one of Clodia, lover of the poet Catulo,
or the one of Casio Longino, one of the murderers of Cesar, and also the
beautiful gardens of the dictator, the horti Caesariani, connected to the heart
of the Urbe by a bridge made by Agripa. <o:p></o:p></span></div>
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<br /></div>
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<b><span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">Luxury
next to the Tiber <o:p></o:p></span></b></div>
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<span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">The watercolor paintings of Domenico Marchetti and
Rodolfo Lanciani´s report are the only testimonies conserved of the village´s
architecture. It was about a residence on the shore of the Tiber, with a view
to the Campo the Marte and with scenery made up of two symmetrical bodies shown
on both side of a big exedra. The paintings decorated nine estancias of the
winter wing: three bedrooms, the dining room, the lobby and the entrance, a
hallway that communicated the bedrooms with the servants, the garden and the
internal hallway of the central exedra. <o:p></o:p></span></div>
<br />
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<span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">The quality of the paintings, the quantity of the
details and the decorative motives depended on the function of the spaces and
the social Rank of the people that had access to them. In that way the
environments where the chief welcomed his customers had an austere decoration,
while the ones where the guest were invited had the most rich and elaborate
paintings. These magnificent frescos are conserved nowadays in the Massimo alle
Terme Palace in the rooms that look like the original house. <o:p></o:p></span><br />
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<span class="MsoHyperlink"><b><span lang="EN-US" style="font-family: "arial" , sans-serif; font-size: 12pt; line-height: 150%;">Problems Faced <o:p></o:p></span></b></span></div>
<div class="MsoNormal" style="line-height: 150%;">
<span class="MsoHyperlink"><span lang="EN-US" style="font-family: "arial" , sans-serif; font-size: 12pt; line-height: 150%;">During the translation of the article
what I found the most difficult to translate were the names of the buildings
and vocabulary related to architecture, such as planimetria, cauce, acuarelas,
semienterrado, and the word nobilisima. In order to solve this difficulty the
words were looked up in various dictionaries until a word that matched the
context of the article was found. The translation method used for this task was
the faithful translation method since preserving the contextual meaning for the
original text was the most important because it dealt with a historical
discovery. Hence, why the words were looked up in order to find accurate
lexicon that coincided with the context of the text. <o:p></o:p></span></span></div>
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</span><br />
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<td style="border-bottom: solid #4BACC6 2.25pt; border: solid #4BACC6 1.0pt; mso-border-bottom-themecolor: accent5; mso-border-themecolor: accent5; padding: 0cm 5.4pt 0cm 5.4pt; width: 149.6pt;" valign="top" width="199"><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-yfti-cnfc: 5; text-align: justify;">
<b><span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">METHOD<o:p></o:p></span></b></div>
</td>
<td style="border-bottom: solid #4BACC6 2.25pt; border-left: none; border-right: solid #4BACC6 1.0pt; border-top: solid #4BACC6 1.0pt; mso-border-bottom-themecolor: accent5; mso-border-left-alt: solid #4BACC6 1.0pt; mso-border-left-themecolor: accent5; mso-border-right-themecolor: accent5; mso-border-top-themecolor: accent5; padding: 0cm 5.4pt 0cm 5.4pt; width: 149.65pt;" valign="top" width="200"><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-yfti-cnfc: 1; text-align: justify;">
<b><span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">STRATEGY <o:p></o:p></span></b></div>
</td>
<td style="border-bottom: solid #4BACC6 2.25pt; border-left: none; border-right: solid #4BACC6 1.0pt; border-top: solid #4BACC6 1.0pt; mso-border-bottom-themecolor: accent5; mso-border-left-alt: solid #4BACC6 1.0pt; mso-border-left-themecolor: accent5; mso-border-right-themecolor: accent5; mso-border-top-themecolor: accent5; padding: 0cm 5.4pt 0cm 5.4pt; width: 149.65pt;" valign="top" width="200"><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-yfti-cnfc: 1; text-align: justify;">
<b><span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">TECHNIQUE<o:p></o:p></span></b></div>
</td>
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<tr>
<td style="background: #D2EAF1; border-top: none; border: solid #4BACC6 1.0pt; mso-background-themecolor: accent5; mso-background-themetint: 63; mso-border-themecolor: accent5; mso-border-top-alt: solid #4BACC6 1.0pt; mso-border-top-themecolor: accent5; padding: 0cm 5.4pt 0cm 5.4pt; width: 149.6pt;" valign="top" width="199"><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-yfti-cnfc: 68; text-align: justify;">
<span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">It relates to the method chosen to translate
a whole text. There are 8 methods: <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-yfti-cnfc: 68; text-align: justify;">
<span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">1. Word-for-word <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-yfti-cnfc: 68; text-align: justify;">
<span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">2. Literal 3. Faithful <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-yfti-cnfc: 68; text-align: justify;">
<span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">4. Semantic 5. Adaptation 6. Free 7. Idiomatic<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-yfti-cnfc: 68; text-align: justify;">
<span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;"> 8.
Communicative. <o:p></o:p></span></div>
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<td style="background: #D2EAF1; border-bottom: solid #4BACC6 1.0pt; border-left: none; border-right: solid #4BACC6 1.0pt; border-top: none; mso-background-themecolor: accent5; mso-background-themetint: 63; mso-border-bottom-themecolor: accent5; mso-border-left-alt: solid #4BACC6 1.0pt; mso-border-left-themecolor: accent5; mso-border-right-themecolor: accent5; mso-border-top-alt: solid #4BACC6 1.0pt; mso-border-top-themecolor: accent5; padding: 0cm 5.4pt 0cm 5.4pt; width: 149.65pt;" valign="top" width="200"><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-yfti-cnfc: 64; text-align: justify;">
<span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">A translation strategy is the plan the translator applies in order to
consciously solve a problem encountered while translating a text. It involves
choosing a method to approach the text. <o:p></o:p></span></div>
</td>
<td style="background: #D2EAF1; border-bottom: solid #4BACC6 1.0pt; border-left: none; border-right: solid #4BACC6 1.0pt; border-top: none; mso-background-themecolor: accent5; mso-background-themetint: 63; mso-border-bottom-themecolor: accent5; mso-border-left-alt: solid #4BACC6 1.0pt; mso-border-left-themecolor: accent5; mso-border-right-themecolor: accent5; mso-border-top-alt: solid #4BACC6 1.0pt; mso-border-top-themecolor: accent5; padding: 0cm 5.4pt 0cm 5.4pt; width: 149.65pt;" valign="top" width="200"><div class="MsoNormal" style="line-height: 150%; margin-bottom: .0001pt; margin-bottom: 0cm; mso-yfti-cnfc: 64; text-align: justify;">
<span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">Used to translate parts of the text such as sentences, phrases or single
words. <o:p></o:p></span></div>
</td>
</tr>
</tbody></table>
</div>
<div class="MsoNormal" style="line-height: 150%; text-align: center;">
<br /></div>
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<div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;">
<span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">Resources<o:p></o:p></span></div>
<div align="center" class="MsoNormal" style="line-height: 150%; text-align: center;">
<span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;"><br /></span></div>
<div class="MsoNormal" style="line-height: 150%; text-indent: 35.4pt;">
<span style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">La
villa Farnesina: una galería de pintura bajo el Tíber. </span><span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">(2014) Retrieved on June 28th, 2016 from <a href="http://www.nationalgeographic.com.es/historia/grandes-reportajes/la-villa-farnesinauna-galeria-de-pintura-bajo-el-tiber_8137#gallery-1">http://www.nationalgeographic.com.es/historia/grandes-reportajes/la-villa-farnesinauna-galeria-de-pintura-bajo-el-tiber_8137#gallery-1</a><o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 150%; text-indent: 35.4pt;">
<br /></div>
<div class="MsoNormal" style="line-height: 150%; text-indent: 35.4pt;">
<span class="MsoHyperlink"><span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">Ordudari,
Mahmoud. </span></span><span class="MsoHyperlink"><i><span lang="EN-US" style="font-family: "arial" , sans-serif; font-size: 12pt; line-height: 150%;">Translation procedures, strategies and methods</span></i></span><span class="MsoHyperlink"><i><span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;"> </span></i></span><span class="MsoHyperlink"><span lang="EN-US" style="font-family: "arial" , "sans-serif"; font-size: 12.0pt; line-height: 150%;">Retrieved on June 25<sup>th</sup>, 2016 from <a href="http://www.translationdirectory.com/articles/article1413.php">http://www.translationdirectory.com/articles/article1413.php</a><o:p></o:p></span></span></div>
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Anonymoushttp://www.blogger.com/profile/10968609855041146451noreply@blogger.com0tag:blogger.com,1999:blog-5331417061085105756.post-55705459506006998922016-07-02T13:40:00.002-07:002016-07-06T07:37:40.399-07:00Dali's triangle in the EmpordàTranslated by, Diego Alejandro Perez Delgado.<br />
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEif3be4UkffPcX-WLBIfA6s8s5mU1IdmpqERSL12kg2WLnYhCG1kiPEQZDo8wzOpXBsVS460Gr2wGbspUO4jzWpVEgUg2zWwqcx0pR23E4O1QCJIyQk1hu4fPgImX0NGbZHHWhd3Be5OiCP/s1600/74222609.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="232" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEif3be4UkffPcX-WLBIfA6s8s5mU1IdmpqERSL12kg2WLnYhCG1kiPEQZDo8wzOpXBsVS460Gr2wGbspUO4jzWpVEgUg2zWwqcx0pR23E4O1QCJIyQk1hu4fPgImX0NGbZHHWhd3Be5OiCP/s320/74222609.jpg" width="320" /></a></div>
<br />
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<div lang="en-US" style="font-weight: normal; line-height: 150%; margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif;"><span style="font-size: small;">Only few artist have had
so much bound and fascination with their native land like Salvador
Dali for the </span></span><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;">Empordà</span></span>. He recognized that the Tramontana, the wind that
often blew on this Catalan region , was responsible of its
«complete madness». In the Empordà he was born, lived and also
died. And also at the corner of the province of Girona was exposed
most of his legacy, in places which were witnesses of his life and
scenarios for his inspiration. </span></span>
</div>
<div lang="en-US" style="font-weight: normal; line-height: 150%; margin-bottom: 0cm;">
<br /></div>
<div lang="en-US" style="font-weight: normal; line-height: 150%; margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif;"><span style="font-size: small;">For understanding Dali it
is necessary to visit Figueres, the city where he was born and where
young Salvador had spent his youth. He came into the world in 1904
at number 6 Monturiol Street where himself, years later, had
nicknamed it «Genius Street». Dali was baptized in the church of
Sant Pere , located at Homonima street, two apples close to his
birthplace. On the same way is found Cataluna's toy Museum where,
among porcelain dolls , brass cars and zoetropes there is
exposition dedicated to Dali the infant, with many photographs and
the inseparable toy of the artist: Marquina the Teddy Bear. </span></span>
</div>
<div lang="en-US" style="font-weight: normal; line-height: 150%; margin-bottom: 0cm;">
<br /></div>
<div lang="en-US" style="font-weight: normal; line-height: 150%; margin-bottom: 0cm;">
<br /></div>
<div lang="en-US" style="font-weight: normal; line-height: 150%; margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif;"><span style="font-size: small;">Close to the museum is
the Rambla, where its central cafeterias of an adolescent Dali spent
hours drawing the life that surrounded him. In one of them, Emporium
Café , years later he wrote with Luis Buñuel the script of the
movie An Andalusian Dog (1929).</span></span></div>
<div lang="en-US" style="font-weight: normal; line-height: 150%; margin-bottom: 0cm;">
<br /></div>
<div lang="en-US" style="font-weight: normal; line-height: 150%; margin-bottom: 0cm;">
<br /></div>
<div lang="en-US" style="font-weight: normal; line-height: 150%; margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif;"><span style="font-size: small;">When Dali was young ,he
had already made of his life a constant performance and did not get
tired of freeing up the extravagance. However, the end of that
exhibitionism came to happen when he became mature with the re-conversion that himself directed in the Theater of Figueres to
transform it into what today is know as the Theater-Museum Dali
which, according to his own words , was «an absolute surrealist
subject». The museum shows a unique amount of works and seasons of
the artist and includes some of his most acclaimed paintings among
them are: Self-Portrait with Fried Bacon (1941) and Galatea of the
Spheres (1952), as well as sculptures, pottery, </span></span>
</div>
<div lang="en-US" style="font-weight: normal; line-height: 150%; margin-bottom: 0cm;">
<br /></div>
<div lang="en-US" style="font-weight: normal; line-height: 150%; margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif;"><span style="font-size: small;">During his teen age
years, the Dali family used to spend their summer on the Brava Coast,
in the picturesque village of Cadaqués ( 35 km from there). There
Salvador had his first painting studio in a fishers house next to
Port Alguer. During the time he spent in this place had the visit of
good friend like Garcia Lorca and Buñuel, and also found the love
of his life, Helena Ivànovna ( Known by the world as Gala), who
settled in the Miramar hotel, currently known as “The Residence”
to spend the summer of 1929.</span></span></div>
<div lang="en-US" style="font-weight: normal; line-height: 150%; margin-bottom: 0cm;">
<br /></div>
<div style="line-height: 150%; margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span lang="en-US"><span style="font-weight: normal;">Dalí
reflected in his pictures the landscapes which he had so admired.
</span></span></span></span><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span lang="en-US">The
stony terrain of the Costa Brava between Cadaques and the Natural
Park of Cap de Creus can be seen in works such as Girl at the Window
(1925) The Spectre of Sex Appeal (1932) or Furniture Weaning Food
(1934). Other no landscape elements became also part of the Dalinian
universe. The Espardenyes for example, the traditional footwear of
the county, which was part of some of his sculptures, jugs and breads
pagès that used to introduce into their creations as an allegory of
"art as food."</span></span></span></div>
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<span style="font-family: "arial" , sans-serif;"><span style="font-size: small;">The route of the
Empordà's artist is still in the small seaside village of
Portlligat - two kilometers from Cadaqués - where Dali and Gala
moved in during 1949 after his retirement in New York. His house,
which nowadays is a museum, again shows that Dali 's Surrealism was
reflected not only in his works, but also in his life. The
labyrinthine architecture, the multicolored rooms and a kitsch decor –
which also included a stuffed polar bear - were the love nest and
the creative studio of the couple for more than three decades.
Portlligat 's Museum House has just opened a new exhibition space,
the Tower of the Pots, where Dali used to work on his pottery and
sculptures.</span></span></div>
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<span style="font-family: "arial" , sans-serif;"><span style="font-size: small;">Starting
from the seaside house of the couple, in Portlligat, and continuing
with the inside of the </span></span><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;">Empordà</span></span> it is possible to meet more enclaves of
the Route of Dali. Fifty kilometers we can get to the Sanctuary dels
Angels, Raised on a hill and surrounded by pine trees. There,
betraying his exhibitionism, Gala and Dalí had got married in secret
and in the strictest privacy in 1958.</span></span></div>
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<span style="font-family: "arial" , sans-serif;"><span style="font-size: small;">Decades
later, The artist’s wife wanted to retire from the public life due
to the wedding celebrated at Pubol's Castle, 10 km from the sanctuary,
where Gala had moved when she turned 76. She was in charge of the
decorating with certain esthetic that reminded her of her
aristocratic Russian origin. The muse of the genius have past away
in 1982 and, after being embalmed, was buried in the crypt of the
castle, dressed in an elegant red dress designed by Dior. Next to it
was another crypt which was initially built for the burial of Dalí.
But it is still empty empty, as the </span></span><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;">Empordà</span></span>'s genius decided, during
his last days, that he wanted to eternally rest in the museum of his
,hometown, Figueres and had ordered to built a mausoleum in one of
its rooms. He was buried in 1989, exactly 25 years ago.</span></span></div>
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<span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span lang="en-US"><b> </b></span></span></span></span></span></div>
<div lang="en-US" style="line-height: 150%; margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span lang="en-US"><b> Problems
translating. </b></span></span></span><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span lang="en-US"><span style="font-weight: normal;"></span></span></span></span></span></span></div>
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<style type="text/css">TD P { margin-bottom: 0cm; }P { margin-bottom: 0.21cm; }A:link {</style><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span lang="en-US"><span style="font-weight: normal;"><br /></span></span></span></span></div>
<div lang="en-US" style="font-weight: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><br />I would say that the
problem I have faced the most it is being scared of losing the
intention of the article, while translating. It was also difficult to
understand few words in Spanish due to not knowing their meaning, I
have had the same problem with some expression that come from Spain.
I could say that as I kept myself translating it I started to feel
more confident and was able to do it faster. <br /><br />For doing my
translation I tried to avoid a translation program, I rather tried to
see the meaning of the words I did not understand in Spanish and then
see their context in order to find the right word for not losing the
intention of the article. </span></span></div>
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<div lang="en-US" style="font-weight: normal; line-height: 0.46cm; margin-bottom: 0cm;">
<span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><b> Difference Among Method, Strategy and Technique</b></span></span><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span lang="en-US"><b></b></span></span></span></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8BZ_IyM6lVammK18v-wbkrroDL_jrzb316DlrpN0FBXXnFP_s-bzU09LftY4EcF0xF7kNd6CCAD3NdYYFRbRBAfNfEjXekuOoZjyESJePh62YmOJ-ELE_p-990FvZUSg65ayi4Bjh0o45/s1600/images2.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi8BZ_IyM6lVammK18v-wbkrroDL_jrzb316DlrpN0FBXXnFP_s-bzU09LftY4EcF0xF7kNd6CCAD3NdYYFRbRBAfNfEjXekuOoZjyESJePh62YmOJ-ELE_p-990FvZUSg65ayi4Bjh0o45/s1600/images2.jpg" /></a></div>
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<span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"> </span></span>
</div>
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<table border="1" cellpadding="4" cellspacing="0" style="width: 829px;">
<colgroup><col width="251"></col>
<col width="292"></col>
<col width="260"></col>
</colgroup><tbody>
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<td bgcolor="#00dcff" width="251"><div align="JUSTIFY" lang="en-US" style="margin-bottom: 0cm;">
<span style="color: black;"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><b>Strategy</b></span></span></span></div>
<div align="JUSTIFY" lang="en-US">
<br /></div>
</td>
<td bgcolor="#00dcff" width="292"><div align="JUSTIFY" lang="en-US">
<span style="color: black;"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><b>Method</b></span></span></span></div>
</td>
<td bgcolor="#00dcff" width="260"><div align="JUSTIFY" lang="en-US">
<span style="color: black;"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><b>Technique</b></span></span></span></div>
</td>
</tr>
<tr valign="TOP">
<td width="251"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;">Strategy is the way
of developing a task following specific items that have been set
by us. <br />For example : an strategy for translation could be
analyzing first the vocabulary you might not know in order to find
out its meaning and in this way being more contextualize to do a
better translation</span></span></td>
<td width="292"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;">A method does not
have to be plan, in fact it is already set. It is often used for
routines. And practically explains how something is mean to work,
or be done. It involves specific practices and steps. <br /><br />E.g.
The Callan Method is a way for learning English, it has specific
steps and students and teachers are mean to follow it up. </span></span>
</td>
<td width="260"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;">A technique could be
define as the tricks we use to develop our task. <br />Sometimes
some people might use a translation program such as google
translate, so he/she would have to fix what has translated. <br /><br />When
making use of a technique it is pivotal to apply our skills for
developing it correctly.</span></span></td>
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<span style="color: black;"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><b>REFERENCES. </b></span></span></span></div>
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<span style="color: black;"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><b> </b></span></span></span>
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<span style="color: black;"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span lang="en-US"><span style="font-weight: normal;">Ulya
R. (2011). What is the difference between Strategy, Technique,Method
and approach in terms of teaching? Retrieved on: 1/7/16 from:
</span></span></span></span></span><span style="color: navy;"><span lang="zxx"><u><a href="http://ulyarosyita.blogspot.com.co/2011/03/what-is-difference-between-strategy.html"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span style="font-weight: normal;">http://ulyarosyita.blogspot.com.co/2011/03/what-is-difference-between-strategy.html</span></span></span></a></u></span></span><span style="color: black;"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span lang="en-US"><span style="font-weight: normal;">
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<span style="color: black;"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span lang="en-US"><span style="font-weight: normal;">National
Geographic.(2014). </span></span></span></span></span><span style="color: black;"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span style="font-weight: normal;">El
Triángulo de Dalí en el </span></span></span></span><i><span style="color: black;"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">Empordà. Retrieved on : 1/7/16 from:
</span></span></span></span></span></i><span style="color: navy;"><span lang="zxx"><u><a href="http://www.nationalgeographic.com.es/viajes/grandes-reportajes/el-triangulo-de-dali-en-el-emporda-2_8514"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">http://www.nationalgeographic.com.es/viajes/grandes-reportajes/el-triangulo-de-dali-en-el-emporda-2_8514</span></span></span></span></a></u></span></span><i><span style="color: black;"><span style="font-family: "arial" , sans-serif;"><span style="font-size: small;"><span style="font-style: normal;"><span style="font-weight: normal;">
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<br />Diego.p86http://www.blogger.com/profile/01604985069301694703noreply@blogger.com0